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Includes bibliographical references (p. -186) and index.
"Staring back": visible differences, staring, and uncertain legibility in Marie Chauvet's Amour and Myriam Warner-Vieyra's Julitante -- The body composite: testimony and the problematic of integral healing in Maryse Condé's Heremakhonon and Ken Bugul's Le baobab fou -- Toward a new aesthetics of the global: grotesque bodies, circulation, and haunting in Fana Diagne Sène's Le chant des ténèbres and Ken Bugul's La folie et la mort -- Against quarantine: foreign bodies in excess in Bessora's 53 cm and Fatou Diome's Le ventre de l'Atlantique