Newspaper Page Text
I ; Tremendous
Roy Cummings, Comedian,
Capitalizes Man's Love
of Others* Misfortunes
The appearance of Roy Cummings,
j gcrobatic comedian, in "The Whirl of
>Cew York" last week at the Winter
Gsrdcn added a tempestuous element
to en entertainment which was by no
means lacking in essential pep. Cum
taings appears in the part of "the
polite lunatic," and his performance is
'n keeping- with that character. In the
initial performance his irruption into
? the program astonished even the stage
msnagemert, which has a guardian in
v tercst in the furniture and scenery.
But it was not until the second act,
when Cummings lowered a trick drop
" of his own invention, that the comedian
came completely under misrule. This
drop whacked him resoundingly, liftec
. him far aloft, buried him in its fold?
tnd precipitated him headforemost inte
the orchestra pit, where Al Goodman
the muiical director, complained thai
?' music racks wero broken. Then, for hi>
, pnsl entrance, Cummings went into th<
balcony of the Winter Garden, and
hanging on a rope, swung out over thi
? heads of the audience, and dropped t<
i (?je stage, to applause, of course, fo:
? Cummings, while using daring physlca
methods, is quite lamblike in voice an(
Aa Unexpected Visitor
Drops In on the Show
This last week constituted Cum
mings's Winter Garden d?but. He ha
i teen known hitherto as a daring pe?
former of difficult feats, which ofte;
, called for his dropping from variou
parts of the backstage structure.
Cummings began as a stage hand i
Detroit. But he didn't remain on
v long. He had been in the theater fo
? only a few days when his associate
heard a thud backstage. They saw
- figure lying on the empty stage.
'?It's Cummings, the new boy," the
c ?aid. "He must have fallen from tl
fly gallery and broke his neck."
Cummings got to his feet.
"Fly gallery, nothing," he answer?
scornfully. "I dropped from the gri?
? After that very little attention wi
paid to Cummings, but he continu*
to leap from every elevated part of tl
" theater. Finally he developed a hab
of falling from the proscenium arch
?iramatic performances, and it wi
, agreed that the manager of the the
' ter would have to stop it. But this d
i not come to-pass. The manager of
.. traveling troupe whose performan
had been interrupted thought th
Cummings would do well in vaudevil
,: f.nd was willing to risk some money ?
- him. The manager's faith was justifie
. Cummings was soon a star in vaud
s. villo in big demand.
When "The Passing Show of 191
left the Winter Garden for its coas
to-coast tour of the country Cummin
was signed by the Shuberts, He spe
" three years with the show in a seri
of droll but daring exploits.
Before He Tumble? In
Now with "The Whirl of New Yor
. Cummings makes his Winter Gard
d?but. In the Winter Garden he h
ample room to display his daring.
Cummings himself says that his u
usual mode of entertaining the pub'
' is based upon sound philosophy.
"Early in life I discovered that
had the nerve to leap from lof
. places," he said last night, "and I al
found that I had the knack or unusi
gift of landing right on my feet wil
out injury,-where another man wot
have broken his neck. I thought abc
. utilizing that talent. I decided tl
the two things that greatly interest
and entertained the publie wer? t
misfortunes of others and nerve
' daring. I decided to develop a style
, personal entertaining based upon tht
, two philosophical facts. I became
: stage hand to learn the possibilit
as a leaping place of the theater.
"When I got into vaudeville I mi
many of my leaps and falls seem 1
( result of accident or misfortune, ss i
instance at the Winter Garden, wt
I fell headforemost into the orches
pit among the musicians. Aa a mat
, of fact, that fall is a leap very ca
? fully calculated. If it were not I wo:
not be here to tell about it. But
seems an accident?a misfortune, i
. the public laughs and applauds. Tl
, ?hen I think that I have played 1<
tnough upon the public's love of oth
misfortunes I do some daring thi
*ich as leaping from the balcony of
Winter Garden, and they like that, 1
"I only use two attributes of
- cr?wd?its real amusement in the n
. fortunes of others and its love of
Innovations Offered by
New Independent Pictm
Pyramid Pictures, Inc., was fon
itt Delaware last week with a capi:
?zation of $1,000,000. This new conc(
<*hich has opened offices at 150 W
Thirty-fourth Street, will produce i
teen super-features a year for the
dependent market, Ray C. Sm
wood, who has guided the destinies
i Xazimova in her productions for Me
? W>11 be in charge of the first produc
?mt. No capital stock will be offe
or sale. Officers in the new comp
will be announced next week.
With the formation of this new ?
?m three features new to the mo1
Picture field will be brought forw
by Pyramid Pictures. In the f
Place, Mr. Smallwood declares that
kast is the proper place to produce,
*? Prove this assertion he shall p]
*?? Producing unit in local terril
3r the first six pictures.
Jn the second place, Mr. Smallwo?
"lea of the author securing a porl
*t the gross receipts with a cash
???ce will be adhered to. *
At the New Brighton
| is>tage #os?s??
(Continued from pas? one)
engaged with her screen work. Miss
Akins is tho author of "D?class?,"
which Ethel Barrymore made such a
great success lait season, and in which
she will go on tour in the autumn. Mr.
Harris has accepted another play by
Miss Akins, entitled "St. Ursula," and
will star Emily Stevens in it early next
season. Plans for the production of
Miss Ferguson's play call for rehears?
als to begin the middle of Septemb/er,
which will bring the New York opening
on or about the first of November^
"Bluebeard's Eighth Wife," the Amer?
ican adaptation by Charlton Andrews
of Alfred Savoir's "La Huiti?me Femme
de Barbe Bleue," which has been a
great Paris success, will be presented
j to-night in Atlantic City by William
I Harris. Mary Servoss and Edmund
Br?ese will play the two princpal r?les.
Their supporting cast includes Fritz
Williams, Barry Baxter, Doris Mitchell,
Pauline Whitson, Jules Epailly, Rex
ford Kcndrick, George Arthurs and
Mary Alden Mothers
Many a Family on
the Silver Screen
It) was, comparatively speaking, a
large family that Mary Alden was
suddenly called upon to play mother to
in "Tha Old Nest," Rupert Hughes's
newest photoplay, which opened last
week at the Astor Theater. But Miss
Alden accepted them all?husband and
six children?with the philosophy born
of experience, and set to work dishing
up the breakfast porridge, getting the
children off for school, her doctor hus?
band off on his rounds, and in between
times rocking the baby to sleep. She
has kept house for a good many hus?
bands and children during her screen j
She had the part of a mother In the I
very first photoplay she appeared in, i
! Griffiths's "Battle of the Sexes," and
she has been playing wife and mother
r?les off and on ever since to a great I
many screen celebrities, including |
Henry Walthall, Will Rogers, James j
Kirkwood, Jack Pickford, Donald Crisp
and a dozen others. Her interpretation
of the mother part in Ibsen's "Ghosts," j
when that was done into pictures, and
again in the Griffith picture was ex?
cellent Her finished performance in
"The Old Nest," therefore, came as no
surprisa to those who had seen her
previous work in such character.
Modestly sh? gives a largo ?hare of
credit for her achievement to make-up.
It isn't easy to Imagine Mary Alden
with stage fright, yet she insists that
her make-up is her only protection.
"If I had to stand up befor? an
audience and be just Mary Alden," she
says, "I should be helpless from
embarrassment and self-consciousness.
It's only because I can pretend to bo
some one else that I am able to play
at alL That, I believe, Is pretty gen?
erally true. The hardest thing for any
actor to do is to play a straight r?le.
Ho wants to hide behlndsteome one
Miss Alden is a native of New Or?
leans, received her schooling at Notre
Dame, in Montreal, and made her first
stage appearance in London in Shake?
spearian repertoire. Between engage?
ments she worked on a newspaper. For
her first dramatic work in Amjrica she
got back home to New Orleans, where
she appeared with Baldwin & Melville.
After "The Battle of the Sexes" she
played In two later Griffith pictures,
"The Birth of a Nation," in which Bhe
had the part of the mulatto woman,
and "Intolerance." For Goldwyn, pre?
vious to her present picture, she has
played in the picturization of Arnold
Bennett's and Edward Knobloch's play,
"Milestones'; in "Honest Hutch" oppo?
site Will Rogers, and in the screen ver?
sion of Katherine Newlin Burt's story,
Kita Weiman Coming East
Rita Weiman is returning to New
York this week from the Goldwyn stu?
dios in California, having completed
her work there on "The Grim Come?
dian," an original story for the screen.
Miss Weiman participated In the pro?
duction of th? photoplay. "The Grim
Comedian* was directed by Frank
Lloyd and has a cast which includes
Phoebe Hunt, Jack Holt, Gloria Hope,
Laura Lavarnie and John Harron.
Ernest Torrence in Film?
Ernest Torrence, who made such a
hit as the captain in the Broadway pro?
duction of the "Night Boat," is to
make his film d?but as the heavy in
"Tol'able David." i
Of Her Beliefs
English Actress Cone-hidee
American Women Know
How to Keep Health
Dorothy Ward, the. London musical
comedy star who is Cora Ang?lique in
"The Whirl of New York" at the Win?
ter Garden, says that American women
havQ completely upBet her previous
ideas of whatoconstitutcd a healthful
1 "Of course, I have not had an ex?
haustive opportunity of studying
American women," she said last night
at the Winter Garden, "but I have
come in contact so far with a great
many'American, women socially and, of
course, in acompnay the size of that
presenting 'The Whirl of New York'
there are many women. I think the,
women of the company may be taken
as representing an average of the
women of America. They come from
every section of the country and from
all sorts of homes. They have com?
pletely unsettled some of the rigid be?
liefs which I brought with me from
"For instance, I was taught and grew
up in the conviction that in order to
be healthful it was vitally necessary
to have more or less strenuous exer?
cise, out of doors. So I golfed and rode
rel3g?usly every day. Over here I find
that while many women do these thing3
the average woman does not have the
time or, opportunity to engage in out- j
of-door pastimes. Our distances are so
much shorter over there that, for in- j
stance we find small difficulty in going
into the country for golfing. Here one
practically has to give up a whole day
to reaching the links, playing a round
or so and getting back.
"Yet I find that American women
are just as strong as English women
and in just as good health. In the thea?
ter they work long hours readily and
without undue fatigue.
^'But there is one thing that I find
duo to the difference in mode of life.
Tho American tj^e, on the whole, I
thinkt is a petite type, while the Eng?
lish type is large. Perhaps this is due
to the difference in manner of life I
have spoken of, but it may not be so.
"American women, it seems to me,
are far quicker to learn to do things
than English women. The American
chorus girl is facilo and adept. She
can be taught a very difficult thing in
practically one lesson.
"We in England, as I have said, feel
that we must have much out-of-doors
exercise. But that feeling and need
may be due to our climate. Over here
it may be that the very nervous en?
ergy of the people themselves gives
them sufficient exercise*. I have noted
that the American man'or women is
never still for any long period. The
constant movement about during the
whole of the waking hours may in the
end amount to sufficient exercise for
the American under the conditions in
which he lives.
"In any event it is quite plain to
me that the American woman is able to
keep efficient and healthful without
any great degree of out-of-doors exer?
cise as we know it in England."
Naomi Childers "Weds
Mrs. J. Douglas Childers has Just
announced the marriage of her daugh?
ter Naomi to Luther Anderson Reed
on Wednesday, June 15. It is to be
hoped that Miss Childers will not de
s?.Tt the screen. It needs her.
MANAGEMENT CHARLES DILLINOHAM
EVERY DAT T?l?"lAV -i, (SUN.) 8:110
including * *'?*'** V* to 11:80 P.M.
MASTER PERFORMANCES 2i80 ?Mid 8:80
Aft, Best Seats, 50c. Nights, 25c. te $1.00.
-"?T"-^? Two Bi* Feature Pictures
^-c/~^ for One Popular Adm, Price?
FIRST PRESENTATION OP
A Drama Laid In Two Continent?
MALCOLM STRAUSS' Master Motion Flotar?.
"THE TWICE BORN
OF ALL TIMES."
Distributed by SONORA FILMS CORP.
SYMPHONY I i HONORA 11 CO-AfEDIES
ORCHESTRA I NEWS REELS ETC.
Annabell?, Kane Se Herman, Harry
& limma Seymour, Martha Mont
KUMoa^M ?omery. Josi? Rooney, Fred Hugues
[SY*2?thSr.j * Co., Baroness De Tonioft. Roy
i????ma Harrah 4 Co. and others.
tAB idWEl and USUAL BIG VAUDEVILLE.
- _Continuous 1 to 11 p. M.
_._ "Chickens," Little Gladys Pelmar
Ifall Duvall & Little. Jean La Crosse,
ICil Flaherty * Stoning and CON
BaBttTEn BRANCH TALMADGB In "Lessons
fc- -J in Lore," otlis. Cont 1 to 11.
NEW BRIGHTON S
WEEK BEG. TO-MORROW, JULY 4TH
and 16 London Palace Girls
VAL &. ERNIE
THE UKYEHb AMAKANTH SISTERS
Patho News Views?Topics of Qa>
RUTH I JIMMY
ROYE I LUCAS
r 8 e f? hi HERBERT
ORCHESTRA OF 80 PLAYERS
SOLOISTS OF DISTINCTION
EVERY XIC.HT AT S:30
Price? 26c, &0c. tl.00?Phone Circ!? Jig?.
At Palace Theater
i 'The Stranger's Banquet'
' To Be Put on Screen
By Marshall Neilan
Marshall Neilan has closed negotia?
tions with Donn Byrne, the famous
Irish author, for the picturization of
"The Stranger's Banquet." Mr. Byrne
recently visited the producer at his
New York studio to make preliminary
arrangements for the handling of this
adaptation. Since writing the book he
has had two years to study the condi?
tions that followed in the turn of pub?
lic events and which somewhat changed
situations he brings out in his story.
In collaboration with Mr. Neilan the
noted author will rewrite his storyfor
picturization, with the idea of making
it a daring story of conditions that
exist in this country at the present
time. Mr. Neilan plans to make this
story one of the two subjects he will
produce during the next year on an
elaborate scale for Associated First
Alpheus Lincoln in
Double Screen Role
When the producers of "Determina?
tion" signed up Alpheus Lincoln to
play tho dual star role in that big
photoplay, soon to be presented at a
Broadway theater, and simultaneously
in the chief cities of the country, they
felt as though their biggest feat was
It was no ensy task to find just the
j one right man who could portray two
such widely opposing characters as
John Norton and James Melville, the
twin brothers in "Determination," the
one a highly developed soul working
for humanity in the Whitechapel dis?
trict of London, the other a gambler
and rou?, pet of the demi-mdr.de and
sporting circles of Paris. In Alpheus
Lincoln they secured the man. He ha?
a broad knowledge of human nature, its
motives and foibles; a wide range o!
parts to his credit, and, what is ?oinj
to prove of no little value ere the coirv
pletion of "Determination," fs a boxei
and an expert fencer.
Alpheus Lincoln gained his early the
atrical training in the good America:
manner, in .stock, notably in Detroit
Rochester, Yonkers and Denver. Hi:
first engagement in a production wa:
the original Black Jack in 'Treckles.'
Next he created and played for thirty
three weeks the leading heavy ii
Thomas Dixon's drama, "The Leopard'
Spots." The next season Alpheus Lin
coin acted the lead in the three ac
stage version of "War Brides"; th
male lead in "Lilac Time"; the leadin;
heavy in "When Rogues Fall Out" an
the heavy in "Love's Lightning."
Mr. Lincoln was under contract wit'
Weber & Anderson for the Irish leac
in "The Very Idea" when he volunteere
in tho signal corps of the Unite
States army, where he remained unti
the close of the war.
Among Mr. Lincoln's notable plctur
characterizations have been Abra
ham Lincoln, George Washington an
Christ for the Edison Studios, and th
r?les opposite Mme. Olga Petrova an
Mabel Trunnelle, with Arnold Dali
when the latter was filming his is
mous detective series of Path?, and th
lead opposite Stella Mayhew in th
photo-drama tentatively titled ".
School for Husbands."
m Theatres Under Direction of Hugo Riesenfeld
TO 11.30 P. M.
"ELI, ELI",?TONY SARG ALMANAC?OLD PRAGUE
BUSTER KEATON COMEDY?"HARD LUCK"
BROADWAY . .
AT 49th ST Beginning Today
. Creator of
with ALICE TERRY and RUDOLPH VALENTINO
the two Lovers of his first great success
Adapted from BALZACS "Eugenie Grandet"
A Metro Picture
RIVOLI CONCERT ORCHESTRA fred?wsffffa
SQUARE Beginning Today
DOROTHY DALTON ????"W
A Paramount Picture
FAMOUS RIALTO ORCHESTRA Jo?tta?it?a7cln?tS?
?^^Y 6,47 IJh St Orortion JOS PLUT
HARR/ RAVER prests the
T?iUMPrlAMT ra?H OP THE
WWS GBEATE?T PIC1U?E
T^^eMlCHTV SPECTACLE WITH THE:
GQLEAT HE?O ^AR?lO? of7 the ALP5"
A CAS_T OF v
An SF?eCiAL. PROLOGUE
AIND MUSICAL., SETTING
AMANDA BBOW.V, Suprano.
MARK STRAND TOPICAL REVIEW
STRAND S/flPHONy ORCHESTRA
_ e^.cst^. Et70UArzD? - conducting?
.AMERICA'S FOREMOST THEATRES AND HITS?DIRECTION OF LEE & J. J. SHUBERT.
> S ? WA Y OOflC 2ji<j
PPWT? ?DV THEA 62?o ST t CENT. P"K W
L?UulM EV5. ONLY at B-/5 <
DIRECTION OF meSSRS LEF iJ J ?.HUBERT
"YOUf/ND irD/FFICULT TO 5/T W YOUQ
SEAf-YOU FEEL YOU OUGHT TO RISE
FROM /TAY? CHEE/}".Mint*Hty> vmitwr. mn
THE meS5S5. SmJBERTwwwf
THE LATEST OPERETTA by
COMPOSER OF'THE CHOCOLATE SOLOUET
CEO rr.KAY LULU rrcofWELL
SNAPPIEST CHORUS IM f?W TOK i
times so manu
"THEY'VE DONE IT! The O?d Nest i? iterlin* in every ?cene * * * ? it'?
natural and human * ? * * never seems to stop while it orders you to laugh or
to cry * * * * Mary Alden as mother best seen here ? * ? ? ?fs genuine
* * * * GO TO SEE IT!"?AT. Y. Times.
"GENUINE APPLAUSE, spontaneous and whole-hearted * * * * much more
than a mother picture * * * * a slice of American life * ? * * definitely and
vitally real * * ? * Mary Alden worthy to be called rreat * * ? * SO HUMAN
AND TRUE TO LIFE"-??t>Miino Mail.
"WE HAVE BEEN CONVERTED * * * * a mother story no one is (torn*
to be able to resist * * * * it isn't really sad * * ? * Mary Alden gives one of
the most perfect performance we have ever seen on tha screen * * * * do not
leave before the final title"?N. Y. Tribune.
"RAREST OF RARE THINGS * * * * wholesome and sweet * * ? * don?
simply and convincingly * * * * many scenes evoke chucklen and inspire
happy laughter * * * * beautifully filmed * * * * Mary Alden's work has
simplicity and tenseness of Duse's * " * * noteworthy film"?Eve. Telegram
"SIMPLY AND SINCERELY FILMED * * * * as true a picture of everyday
home life as has ever been caught by the camera * * ? * Mary Alden really
remarkable * * * * give a universal picture of the mtite, inglorious heroines
who guard the nests of millions"?The Globe
"FILM OF HEART INTEREST * ? * * likely to make spectator ?angh a lot
and want to swallow hard several times * * ? * THRILLED THE AUDIENCE
GORGEOUSLY''?N. Y. Herald
"FINELY DONE * * * * splendid direction, fine photography, remarkable
cast ? * * * splendid production * * ? dignified, intelligent sub-titles * * * ?
Mary Alden step3 into a flurry of star dust ? * * * breathless episodes"?
JV. Y. Evening Journal.
"IT GETS TO THE HEART * * * ? unforced, homely photoplay has undeni?
able appeal * * " * consistent, coherent and clear ? * ? ? good acting, good
photography and intelligent captioning to an unusual degree * * * * ends on
a note of happiness"?The World
"BEST OF ITS KIND * * ? * has ita artistle eld? * * * ? a furtive tear
trickles down your furrowed cheek * ? * * leading; rola very admirably played
by Mnry Alden"?N. Y. American.
"HOMEY. WHOLESOME ATMOSPHERE * ? * * well worth while ? ? * ?
almost makes the spectator feel he shared the family*? Joys and sorrow? ? * ? ?
result ia refreshing * * * * Mary Alden equally as good, if not better than tha
mother of 'HumoresQue'' **?The Sun.
EVERY ONE IS FLYING TO
THE OLD NEST
50c, 75c, $1.00
Broadway at 45th Street
50c, 75c, $1.00,
San. Mat. at 3
CENTRAI THE A.. B way at 47th St.
VtllinHk Twice Dally?2:30?8. SO.
MATINEE TO-I>AY AT 8.
Fo^pV^nt. "A CONNECTICUT
Y AN if FF rv kino
?HWr.fc.fc ARTHl'R'S COT7RT."
Staged by Emmett J. Flynn. Popular Pria?
DAR?* THEATRES. TWICE DAILY.
"""IV B'way <fc 59th St. 2 30 & 8:30.
MATINEE TODAY AT 8.
By Will Carleton. Directed by Harry MUlarde.
0SER THE HILL
LV D I A THEATRE, I TWICE
I H i V W. 42nd St i DAILY
Dally Mat?.. 80s ta U.M. Kr?*.. *?? ta ?S.
Sunday Mat. Today at 3
Most Sensational and Moat
Thrllllnc Screen Spectacle Ever Shown
! FOX AE
i present? VJA
Directed by 3. Gordon Edward?.
SEE THE WONDERFUL CHARIOT RAGE
NEW YORK'S LEADING THEATRES
KEV AMSTERDAM "\Wsr 45 S? Ev^5!5
MATS. WED.?5AT 5PUo$250 ??"o"??
POR PRICE HATS.WEGiS.SAi:
Mats. Mon., Wed. & SsX-, 3;3?
S Holiday Mat. To-morrow
- JOHN GOLDEN present.
E FRANK BACON .,
S STAGED BY WINCHELL SMITH
EVISa?0 ?MATlV?Di?SAT27t) '
-PHCX1E BSYAiNT fe7?37
5AM II MA??lS offen
InfSACWEL OJOTrOS HEW COMTlWmI
Oanrjrite ?' '?."'h *?.?*&. Again Bm of AU
SALT WATER SURF BATHING NOW
CHILDREN FREE WEEKDAY
AFTERNOONS wit* PARENTS I
CONEY ISLAND. FREE RIDES tad FREE CIRCUS?
51 tt STREET
WORLD'S LARGEST tinA
FOREMOST MOTION PICTURE PALACR
EDWARD BOWE3 MANAGING DIRECTOR
Program of Divertissements ?
"AMONG TftOSE PRESENT"
ft. Vale? Biuette..^-,.? ..Drioo
b. Gavotte Mignon
c (By Request) A Snh'.uette
CAPITOL BALLET CORPS
THALIA ZANO?, LEON
LEON1DOW. JESSIE YORK
a, Anrient Custom? of EsTrpt
b. Science of the Soap Bubble
c From Eg? to Chick
?1 Rare Animals
e. The Hare and Th? Tortoise
SELECTIONS FROM "THE FIRKFL?"_
CAPITOL GRAND ORCHESTRA cSSStSf*""
CAPITOL MIXED QUARTETTE
SOLOISTS: MARIA SAMSON, ERIK BYE, JOSEPH SHKEHAX.
MANY OTHER FILM AND MUSICAL NOVELTIES
A TWO REEL DRAMA Of THE NORTHWEST
"THE NORTHERN TRAIL"
Story t>T JAMES OLIVER CCRWOOO with
LEWIS ?STONE. ETHEL GRE? TEKRJf and WALLACB BEERT
Presentation? by S. L. ROTHAFEL
? XC?PT 5AT.WSU?
TWO BIO CONCERTS SUNDAY, 2 AND 8 P. M. I BEGINNING MONDAY, JULY 4.
ENGAGEMENT DE Lt'XE
Byncopatloa, Declaration of Entertainment, Independence Jasa, Fourth ?t July
Firework? in Song and Dance,
BLOSSOM SEELEY AND BOYS
with BENNIE FIELDS, Sam Miller and Harry Stover in a rollicking riot called
"MISS 8TNCOFATIO?,? the most fiery stepper and songbird of them all.
SOLLY WARD & CO.
A Satirical Comedy in One Act, "BABIES." Staged by Al Lewi*.
_Direction of I.ewis *? Gordon Prodtfame Co.
BLACKFACE" EDD?E ROSS
_and }i:?_African Harp.
FRANKLYN & CHARLES ?BROWN & O'DON?ELL"
Assisted by Ernestina Cam._(_"Profiteering In Fun."
GORDON'S CIRCPg I
Topic? of the Day I
Scanlon, Denno Broa. &. Scanlon
ARMAN KALIZ & CO. in "Temptation"
All Allegorical Operetta, in Seven Scenes.
The Entire Production Conceived and f-'taged by Mr. Kalis.
WM. & GORDON DOOlEV
with THE MORIN S?HTER?
William I MoUy M. I ?) ? r*
* Joe Mantel ! 4t B. V. Hllliam
AN ? OTHERS.
pencarte St.n.lsv. 2 IS & S ij Wer?
(OMl'ANY OF Vi, other? ?and
FLORENCE REED Photoplay.
"THE BLACK PANTHER-!* Crnt>