CD:$14 / LP:$16
Indeed, part of its genius is this unyielding commitment to subverting expectations. Rather than engaging in crude revivalism, “Afar” challenges conventional perceptions of 80s technopop, highlighting its musically progressive and literate roots and re-imagining them to create a startlingly original sound.
This makes for an unconventionally diverse album that dips into the palettes of Italo-disco, avant-garde pop, classical music and even smooth R&B while somehow remaining completely, utterly, coherent. Feldman jokes that he originally tried to make something that sounded “equal parts Flyte Tyme, flight school (via SNES Pilotwings) and luck dragon in flight.”
Notwithstanding the meticulous detail to composition and arrangement throughout “Afar”, perhaps it is the substance and quality of lyrics, and their centrality to its appreciation, which will distinguish it most from its contemporaries. This is writ large in Feldman’s nod to John Keats’ Fancy on the album closer “Everything Is Spoilt By Use” (a glittering, tinsel-clad ballad that features a sublime cameo from Chairlift’s Caroline Polachek).
“Afar” is 35 minutes of the most considered pop music out there; a
compelling ode to lust, distance and alienation …
1. I Want You Now And Always
3. A Vision Of Hell, 1996
5. Two Rings
7. Peacock In The Tall Grass
8. The Ice Choir
9. Everything Is Spoilt By Use
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