The Ecole Spéciale d’Architecture in Paris, with the presence of Benjamin Ball and students from the 6th Semester Atelier 3x of the Ecole Speciale, inaugurated the 2012 Ball-Nouges studio ‘Pavillon Speciale’. This marks the 2nd edition of the summer architecture series that gives young emerging international architects the opportunity to build with students a temporary pavilion project in the heart of Paris. Curated and conceived by Matteo Cainer in the summer of 2010, the series is unique worldwide because it establishes a bridge between the architectural profession and academia, becoming therefore an integral part of the educational program of the school. More images and architects’ description after the break.
The Southern California Institute of Architecture (SCI-Arc) is pleased to present “Yevrus 1, Negative Impression,” an installation designed for the SCI-Arc Gallery by alumni Benjamin Ball (B.Arch ‘03) and Gaston Nogues (B.Arch ‘94) of Los Angeles-based Ball-Nogues Studio, opening June 1 and running until July 8 at SCI-Arc.
Constructed from non-architectural artifacts, Yevrus 1, Negative Impression is a disposable architecture of literal references that calls into question the contemporary architectural vogue for digital complexity and abstraction. The cast impressions of 1973 Volkswagen Beetles and speedboats unite to form a strong structural whole that serves as a lookout tower in the SCI-Arc Gallery. More information after the break.
The Ecole Spéciale d’Architecture in Paris recently announced Los Angeles based, Ball Nogues Studio as the winner of the 2012 edition of the “Pavilion Spéciale” competition in Paris, France. The Pavilion Spéciale is an installation that can be arched and curled at full scale with a small crane to form different types of space for the site. The installation will create a sense of place while providing a respite from the sun and rain. More images and architects’ description after the break.
Each fall High Desert Test Sites invites artists to create experimental projects adjacent to California’s Joshua Tree National Park. This year HDTS invited Ball Nogues Studio to create a structure in a remote region of the Mojave Desert. This presents a unique opportunity to draw upon an unfettered landscape at a grand scale. Expanding on theories developed by earthwork artists Yucca Crater will re-imagine these concepts through new methods of production linked to their cross-disciplinary artistic, architectural, design and fabrication practice.
Curator: Beatrice Galilee
Temporary spatial installations within urban cultures are a rapidly evolving phenomenon. Unlike “permanent” buildings, these structures nimbly respond to the accelerated temporality of cities on the move like Shenzhen and Hong Kong. Increasingly they provide the urban spectacles that “signature” buildings aim to deliver. Like never before, cities are adorned with provisional environments and architecturally scaled events. This situation has been further emboldened by the financial meltdown in 2008 as investors look to spend money on big urban spectacles without the financial commitment of making buildings. Within this economic outlook, the disposable plates of architecture are better investments than a collection of fine tableware. However, an important question looms when cleaning up after the meal: can the plate be composted or should it be colored with crayon and reused as a party decoration?