Fleur de sel began with the image of the first snowfall that announces the onset of winter. The fragile snow covering the ground provides a portrait that has the same horizontality and life as those of Québec painter Jean Paul Lemieux. Between the white quilt and the green bed, the tracks that are left (objects, footprints, fragrances and even sounds) are trapped and remain hidden for the entire winter until the snow melts. These temporary fossils, almost invisible to the eye, create a hidden garden. It is up to us to imagine what is underneath. Isn’t a secret garden a personal place?