ient palette/options window to the center color at 100% being yellow (C=0, M=0, Y=100, K=0) and the outer 0% color as the deep red (C=10, M=100, Y=90, K=10). Change the Blending Mode to Color.
Step 52
Copy (Command + C) and Paste in Front (Command + F) the new gradient ellipses. Change the center color of the gradient to deep red (C=10, M=100, Y=90, K=10) and the Blending Mode to Overlay.
Step 53
Lock all the layer folders apart from the "Shadow" folder. We're going to work on the shading for the t-shirt. You will need to imagine where the shadow of the top is and any creases in the top. To do this you have to work out where the light source is. On this image the light is coming from up above to the left and there would be glow from the eyes. As the glow from the eyes would not effect the t-shirt, the light would be from above.
Based on this, the peaks in the fabric of the top will have more of a highlight and the side of the top is where the shadow will mainly be.
Step 54
Based on the diagram above, I'm going to work on the highlights first. Using our gray with a hint of red (C=20, M=20, Y=15, K=0) transparent radial gradient with the outer edge at 0% Opacity and the Pen Tool (P). I've drawn the below shapes and set them to Blending Mode Screen and Opacity 15%.
Step 55
Select All of the highlight shapes (Command + A) and then Group them (Command + G). Go into the "Bases" layer folder and Copy (Command + C) the t-shirt base layer. Lock the "Bases" layer folder.
Paste in Front (Command + F) the t-shirt shape in the Shadows layer folder and color it black. Then select the group with highlights and base layer for the t-shirt and create a clipping mask (Command + 7). Lock the group. Below is what I have:
Step 56
Using the same gradient, I'm going to begin adding the shadow to the t-shirt with the Blending Mode at Multiply and Opacity of 30%. Then Select All (Command + A) and Group these shapes up (Command + G), and drag and drop them into the clipping mask.
Step 57
Go into the Clipping Mask and select the t-shirt shape and Copy (Command + C) and Paste in Front (Command + F) the shape. Fill it with the same gradient on Multiply at 60%, position the gradient so it adds more shadow to the side of the t-shirt. Then drag and drop this shape into the clipping mask and lock the group.
Step 58
Use the Paintbrush Tool (B) draw the following lines to add texture and subtle shadow to the t-shirt. Set the Stroke Weight to 0.5pt, Width Profile 2 brush, Stroke Color medium gray (C=0, M=0, Y=0, K=40), Blending Mode Multiply and Opacity of 20%.
Step 59
Repeat the above but set the Blending Mode to Screen.
Step 60
Change the Stroke Weight to 2pt, Blending Mode to Normal and the Opacity to 50%. Now draw some zig zag shapes along the hem of the t-shirt. This will make the edges look less smooth and give a battered look to the t-shirt. Then lock the "Shadow" layer folder.
Step 61
As I've previously mentioned, the eyes do produce a glow so we'll want this to reflect on the areas close to the eyes. Create a New Layer above all the other layer folders and rename it "Glow."
Create a transparent radial gradient with Yellow (C=5, M=0, Y=95, K=0) at 100% in the center and Magenta (C=0, M=100, Y=0, K=0) at the edge at 0%. I'm going to draw some shapes on the arm in front, the hand just underneath the face and on the face with the Blending Mode Overlay and 35% Opacity.
If you're wanting your zombie witch to be youthful, make the below shapes around the eyes and at the top of the nose one shape. The reason why these ones are smaller shapes is to add highlights to the wrinkles.
Select All of the highlighting shapes (Command + A), Group them (Command + G) and the "Glow" layer folder.
Step 62
Create a New Layer underneath the "Bases" layer folder and rename it "Under Shadow." I'm going to use Blends to create shadows underneath our witch. Remembering where the light sources on the image are, keep this in mind while adding your shadow.
Using the Pen Tool (P) with the fill color of an almost black/gray (C=45, M=40, Y=35, K=90) I'm going to draw where the shadow will start from. This will be within the main body of the illustration as I don't want this bold color to be seen. I'm wanting the shadow to blend from this shape.
Step 63
Copy (Command + C) and Paste in Back (Command + B) this shape and set it to 0% Opacity. Resize it using the Free Transform Tool (E) and using the Direct Selection Tool (A) on the points to move them to where the shadow is going to fade to.
Select both shapes and Blend them together (Command + Alt + B). Go to Object > Blend > Blend Options and change it to Specified Distance, then change the value to 1.
Step 64
Repeat steps 63 and 64 for the shadow of the right arm and underneath the torso. Remember due to the perspective that the shadow cast for the right arm will appear longer as it's in front of everything else. Change the Blending Modes to Multiply and Opacity to 75% for all three of the blends.
Step 65
Create a New Layer above the "Bases" layer folder and rename it "Blood."
Go into your Brush palette and open the brush set Artistic > Artistic_Ink. Within this library you will find a variety of ink drop brushes, click on them and they will be added to your brush palette. Set the Paintbrush Tool (B) to a deep red (C=10, M=100, Y=90, K=10) for the stroke with a Blending Mode of Multiply and Opacity at 20%. Add your blood splatters so they are positioned on the skin and top.
Step 66
Select All (Command + A), Copy (Command + C) and Paste in Front (Command + F) the blood splatters. Expand them to shapes by going to Object > Expand.
Fill them with a deep red transparent radial gradient with the center at 100%, and change the Blending Mode to Color Burn and the Opacity to 75%.
Using the Direct Selection Tool (A); click on the shapes which go beyond the skin and delete them. Then lock the layer folder.
Step 67
Unlock the "BG" layer folder, and using the Rectangle Tool (M), add a rectangle to cover the canvas with the fill color of medium gray (C=0, M=0, Y=0, K=40).
Using the same technique for the shadows, add a spotlight using Yellow (C=0, M=0, Y=100, K=0), set the Blending Mode to Screen. Then lock the layer folder.
Step 68
Create a New Layer above the "Hair" layer folder and rename it "Vignette." Create a shape using the Pen Tool (P) to cover the bottom of the back and fill it with a medium gray transparent radial gradient (C=0, M=0, Y=0, K=40) with the center at 0% Opacity.
Using the Gradient Tool (G), position the gradient so it gives the impression of the back of the witch fading into the shadows.
Step 69
Using the Rectangle Tool (M) apply the same gradient over the entire canvas and set the Blending Mode to Multiply. Using the Gradient Tool (G) shift the center of the gradient towards the top, as this is where the light would be more intense. Lock the layer folder.
Step 70
Create a New Layer above all the layer folders and rename it "Textures." Using a technique I've previously written a tutorial about adding vector noise, to create this texture. Use the Rectangle Tool (M) to cover the canvas using this texture. Change the Blending Mode to Hard Light and the Opacity to 25%.
Step 71
Go into the Brush Palette use a brush which can be found in the Artist > Artist_ChalkCharcoalPencil, which is the top brush "Chalk."
Using the Paintbrush Tool (B) with the Stroke Weight of 10pt, Stroke Color of gray with a hint of red (C=20, M=20, Y=15, K=0), draw strokes across the canvas both horizontally and vertically.
Then set the strokes to Multiply at 10%.
Conclusion
Starting with a simple and very rough photo manipulation, you can create a great zombie in the style of the Left4Dead witch. Not to mention, it is 100% vector!
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