 and political scenes, detailing how the Nemerovskys spent their time entertaining and being entertained. But times became difficult for Russian Jews; anti-Semitism lurked right below the surface and when there was any kind of economic pressure and political unrest, the lives of all Jews were restricted and they were often the victims of violence. Anticipating the difficulties for his family during the upheavals created both by World War I and the Russian Revolution, Nemerovsky’s very wealthy banker father managed to move his assets to Stockholm and smuggle his wife and daughter to France with their jewels sewed into the linings of their clothes.
Part II, which takes place in France where the family arrived in 1919 when Nemerovsky was 16, starts with Nemerovsky’s education, and moves on to her gradual triumphs as a writer, her marriage to Michel Epstein- a fellow émigré from Russia who had the means to maintain the very comfortable lifestyle Nemerovsky was accustomed to - and the birth of their two daughters. In the 1930’s as Hitler’s threats increased, Nemerovsky saw no reason to leave France. She considered herself French, never having identified as a Jew. And felt well-placed amongst the intellectual elite.She felt no connection to the poor foreign Jews flooding into France from Easter Europe. But gradually she was forced to acknowledge the threat of Hitler’s reign in neighboring Germany. Gille gives an interesting and useful historical overview of encroaching Nazism in France, and she shows how Nemerovsky finally saw herself being hemmed in more and more by the government’s pronouncements against Jews. In July of 1942, in the midst of writing the novel Suite Francaise (which was finally published posthumously in its unfinished state in French in 2004 and in English in 2006), the Nazis seized Nemerovsky and she died in Auschwitz at the age of 39.
Gille’s experiment of creating her mother’s voice and re-creating her life gave Gille the opportunity to get to know the mother she never really knew. She gleaned information from all of her mother’s writing, conducted interviews, and consulted historical sources in order to re-create her mother and her family as well as her life in Russia in the first two decades of the twentieth century and in France in the next two decades.
Gille creates a layered structure that works to intensify the tragic outcome. Each chapter starts with a page that contains a date followed by a paragraph in italics. These preliminary paragraphs are about the author – Elisabeth Gille. The first is about her birth, and each subsequent paragraph at the beginning of each chapter details a moment in her life that take the reader right up to 1991. These paragraphs act both as a parallel condensed memoir and as commentary on the larger story of her relationship to her mother and her mother’s premature death.
Although it reads like a memoir, we must think of this as a novel. We cannot assume that every scene, every characterization, is exactly as Irene Nemerovsky herself would have rendered it. It’s impossible for a reader to sort out fact from fiction. But it seems that Gille was aiming for accuracy – she was trying to explain her mother to herself and to a larger audience. In forcefully recreating her mother's short life, she ably depicts a personal and public tragedy.
This English translation published by the New York Review of Book also includes an Afterword by Rene de Ceccatty in which he discusses, amongst other topics, the challenges Gille took on in writing in her mother's voice. It also includes an interview de Ceccatty conducted with Gille.
To learn more about Irene Nemerovsky, her writing and her family, as well as to see photos, click here.
Senior Design professor.

* Assigned **eight** projects to 22 students. One of these projects was, I'm not kidding, a second-order perpetual motion device. Two other projects had budgets of $0.
* Assigned me the school's SAE project with ONE teammate.
* Sent out an email the night before the (fall) midterm saying any reports without CAD models would not be accepted; these had not yet been assigned and we had not even finished the concept evaluation stage.
* Attempted to refuse to allow students to use vendors other than the ones *he* selected, despite students receiving bids that were half the cost (we guess that he was getting kickbacks).
* Assigned a DFMEA in May, the week before final presentations, after all the projects were built. This is the first time he had mentioned one.
* Told students that if their designs either couldn't be built in the machine shop (which had one mill, one lathe, one working drop saw, three broken band saws, CNC machine had a broken controller and two drill presses) or couldn't be built at all (like the perpetual motion device), then the students were bad engineers and deserved to fail.
* Allowed one industry sponsor to do the entire project for its student team (who did all of one material selection and a pair of Solidworks models in week 4) while the University-sponsored projects were harshly scrutinized.
* Deliberately excluded non-industry projects from any presentations to the Board of Governors, and placed them at the tail end of every presentation schedule.

Sadly, I can probably continue.Corridor Warriors
Voice over WLAN is getting noticed by the SMB set lately, especially businesses with locally mobile workers that find that VoWLAN can be a great technology to boost productivity and employee satisfaction. Its a segment with promise for those channel partners willing to put in the education work necessary to understand the solution. All the […]I think understanding why the partner is uncomfortable in the situation needs to be addressed first. There can be compromise but at the end of the day, we are dealing with a partner with serious insecurity issues and only feels relief when I have to change something about myself to make them feel better, then therapy needs to be involved. 

I'm refuse to enable anyone's negative behavior, unless the partner can tell me why they are uncomfortable in a sane and logical way, this is mostly their problem and I can help them with correcting the behavior and thinking habits that had lend them to thinking in that way.Q: MySQL Data Packet reading as "undefined" Node.js Discord.js JavaScript I'm currently coding a Discord Bot with Node.js. I'm running the bot on a Linux (Ubuntu) server and connecting it to a database using MySQL.
I am accessing two tables with MySQL and using the data from one to search data on the other table. The purpose of this is to provide Discord users with a linked account with the ability to do $rank detail on Discord and have Discord provide them with their in-game Minecraft stats. This data is available through MySQL.
I am constantly receiving this same error over and over again, no matter what I try. Here is the error message:
TypeError: Cannot read property '0' of undefined
Relevant code
    function linkedRankMsg() {
      var linkeddetail = database.query(detailLink,
        function(err, linkedstats, fields) {
          if(err) console.log(err);
          //linkedstats undefined... why
          var linkedUser = linkedstats[0].playerName;
          var linkedPoints = linkedstats[0].points;
          var linkedAction = linkedstats[0].actionPoints;
          var linkedTime = linkedstats[0].timePoints;
          var linkedTravel = linkedstats[0].travelPoints;
          var linkedFight = linkedstats[0].fightPoints;

MySQL request
var detailLink = mysql.format("SELECT points,actionPoints,timePoints,travelPoints,fightPoints,playerName FROM players_rankPoints WHERE playerUUID =?", [rawuuid]);

The result of logging rawuuid with console.log(rawuuid);
RowDataPacket { uuid: '910643f3-2d74-436c-a8d0-4c5b227cd663' }

Link to full pasetbin: https://pastebin.pl/view/fc6dc5a0
Any help is greatly appreciated. I can't figure out what the error is, but I'm very new to discord.js and my experience with JavaScript is very limited.
It’s following a large number of online retailers who have already started growing an offline presence.
Singapore-based ShopBack, an e-commerce services firm that offers its users rewards for each purchase made in exchange for data, has officially forayed into the offline space by targeting F&B customers through a partnership with Visa and Mastercard in the city-state, joining a number of online businesses that are growing their offline presence.
In a statement today, ShopBack said it has launched its ShopBack GO rewards programme in partnership with the two credit card firms to enable users to get five to 10 percent cashback at over 400 F&B brands in selected areas. ShopBack GO also allows F&B partners to access the firm’s existing base of over 1 million Singaporeans via its mobile app.
ShopBack claims to be the dominant player in Southeast Asia’s e-commerce cashback market, with presence in Singapore, Malaysia, Indonesia, the Philippines, Thailand, Taiwan, and Australia. It was founded in September 2014.
For the past four years, its core business has succeeded in delivering cost-effective marketing for e-commerce merchants while rewarding users with cashback for their online purchases, ShopBack Singapore country head Vincent Wong said.
“We have now replicated the experience offline with ShopBack GO, an