In terms of novel concept, it is an inevitable road from truth to fiction, and Chinese novelists are also on this inevitable road, consciously or unconsciously moving away from historical narration. At the same time, from the rise and prosperity of vernacular books to imitative vernacular books, short stories and novels, Chinese novelists absorb the nutrients of various language forms, moving away from the classical Chinese tradition on the road of gradual evolution from the vernacular language tradition.
Chinese novelists got rid of the narrative mode with historical stories as the theme, such as the Romance of the Three Kingdoms and the Water Margin is incorrect in explaining the meaning of the two moving away of Chinese novelists mentioned in this paragraph.