Film historians have made two major criticisms of Depression-era filmmakers: first, that they were too uncritical of the economic status quo; and second, that they self-indulgently created films reflecting their own dreams and desires. However, these filmmakers made their movies with an eye to profit, and so they provided what their audiences most wanted in a film: a chance to imagine being wealthy enough not to have a care in the world. Thus, the second criticism cannot be accurate.
 To avoid self-indulgence, filmmakers should take a critical stance toward the existing economic system and should allow audiences to form their own personal aspirations is assumed.