Film historians have made two major criticisms of Depression-era filmmakers: first, that they were too uncritical of the economic status quo; and second, that they self-indulgently created films reflecting their own dreams and desires. However, these filmmakers made their movies with an eye to profit, and so they provided what their audiences most wanted in a film: a chance to imagine being wealthy enough not to have a care in the world. Thus, the second criticism cannot be accurate.
 It cannot be self-indulgent for a filmmaker to give an audience what it most wants is the assumption of the argument.