Out of deep concern for the lives of peasant workers entering the city, when the writers narrate the stories of peasants entering the city, the metropolis can not help holding a stern moral standpoint. These stories are often reduced to a kind of narrative of suffering or accusing literature. In this narrative picture, the city and the countryside are often abstracted into two opposing worlds of value, and the struggle of farmers in the city is always interpreted as an elegy about the destruction of simple values.
The main point of this text is that the literary creation of migrant workers in cities should not be limited to simple value judgments.