<s>
Generative	B-Application
music	I-Application
is	O
a	O
term	O
popularized	O
by	O
Brian	O
Eno	O
to	O
describe	O
music	O
that	O
is	O
ever-different	O
and	O
changing	O
,	O
and	O
that	O
is	O
created	O
by	O
a	O
system	O
.	O
</s>
<s>
In	O
1995	O
whilst	O
working	O
with	O
SSEYO	O
's	O
Koan	B-Application
software	O
(	O
built	O
by	O
Tim	O
Cole	O
and	O
Pete	O
Cole	O
who	O
later	O
evolved	O
it	O
to	O
Noatikl	O
then	O
Wotja	O
)	O
,	O
Brian	O
Eno	O
used	O
the	O
term	O
"	O
generative	B-Application
music	I-Application
"	O
to	O
describe	O
any	O
music	O
that	O
is	O
ever-different	O
and	O
changing	O
,	O
created	O
by	O
a	O
system	O
.	O
</s>
<s>
Koan	B-Application
was	O
SSEYO	O
's	O
first	O
real-time	O
music	O
generation	O
system	O
,	O
developed	O
for	O
the	O
Windows	O
platform	O
.	O
</s>
<s>
Work	O
on	O
Koan	B-Application
was	O
started	O
in	O
1990	O
,	O
and	O
the	O
software	O
was	O
first	O
released	O
to	O
the	O
public	O
in	O
1994	O
.	O
</s>
<s>
In	O
1995	O
Brian	O
Eno	O
started	O
working	O
with	O
SSEYO	O
's	O
Koan	B-Application
Pro	O
software	O
,	O
work	O
which	O
led	O
to	O
the	O
1996	O
publication	O
of	O
his	O
title	O
'	O
Generative	B-Application
Music	I-Application
1	O
with	O
SSEYO	O
Koan	B-Application
Software	O
 '	O
.	O
</s>
<s>
Eno	O
's	O
early	O
relationship	O
with	O
SSEYO	O
Koan	B-Application
and	O
Intermorphic	O
co-founder	O
Tim	O
Cole	O
was	O
captured	O
and	O
published	O
in	O
his	O
1995	O
diary	O
A	O
Year	O
with	O
Swollen	O
Appendices	O
.	O
</s>
<s>
There	O
are	O
four	O
primary	O
perspectives	O
on	O
generative	B-Application
music	I-Application
(	O
Wooller	O
,	O
R	O
.	O
et	O
al.	O
,	O
2005	O
)	O
(	O
reproduced	O
with	O
permission	O
)	O
:	O
</s>
<s>
This	O
perspective	O
has	O
its	O
roots	O
in	O
the	O
generative	O
grammars	O
of	O
language	O
(	O
Chomsky	O
1956	O
)	O
and	O
music	O
(	O
Lerdahl	O
and	O
Jackendoff	O
1983	O
)	O
,	O
which	O
generate	O
material	O
with	O
a	O
recursive	O
tree	B-Application
structure	I-Application
.	O
</s>
<s>
The	O
Wotja	O
software	O
by	O
Intermorphic	O
,	O
and	O
the	O
Koan	B-Application
software	O
by	O
SSEYO	O
used	O
by	O
Brian	O
Eno	O
to	O
create	O
Generative	B-Application
Music	I-Application
1	O
,	O
are	O
both	O
examples	O
of	O
this	O
approach	O
.	O
</s>
<s>
Brian	O
Eno	O
,	O
who	O
coined	O
the	O
term	O
generative	B-Application
music	I-Application
,	O
has	O
used	O
generative	O
techniques	O
on	O
many	O
of	O
his	O
works	O
,	O
starting	O
with	O
Discreet	O
Music	O
(	O
1975	O
)	O
up	O
to	O
and	O
including	O
(	O
according	O
to	O
Sound	O
on	O
Sound	O
Oct	O
2005	O
)	O
Another	O
Day	O
on	O
Earth	O
.	O
</s>
<s>
His	O
works	O
,	O
lectures	O
,	O
and	O
interviews	O
on	O
the	O
subject	O
have	O
done	O
much	O
to	O
promote	O
generative	B-Application
music	I-Application
in	O
the	O
avant-garde	O
music	O
community	O
.	O
</s>
<s>
Eno	O
used	O
SSEYO	O
's	O
Koan	B-Application
generative	B-Application
music	I-Application
system	O
(	O
created	O
by	O
Pete	O
Cole	O
and	O
Tim	O
Cole	O
of	O
Intermorphic	O
)	O
,	O
to	O
create	O
his	O
hybrid	O
album	O
Generative	B-Application
Music	I-Application
1	O
(	O
published	O
by	O
SSEYO	O
and	O
Opal	O
Arts	O
in	O
April	O
1996	O
)	O
,	O
which	O
is	O
probably	O
his	O
first	O
public	O
use	O
of	O
the	O
term	O
generative	B-Application
music	I-Application
.	O
</s>
<s>
A	O
limited	O
form	O
of	O
generative	B-Application
music	I-Application
was	O
attempted	O
successfully	O
by	O
members	O
of	O
the	O
UK	O
electronic	O
music	O
act	O
Unit	O
Delta	O
Plus	O
;	O
Delia	O
Derbyshire	O
,	O
Brian	O
Hodgson	O
and	O
Peter	O
Zinovieff	O
,	O
in	O
1968	O
.	O
</s>
