Two years of fighting changed what the war was about. Beginning in 1863, the North no longer fought only to save the Union but also to end slavery. Ending slavery was the only way to win the war and not have to fight again.
Generations of Americans hailed Abraham Lincoln as "The Great Emancipator." In recent decades some historians have minimized Lincoln's role and argued that the enslaved freed themselves. Slaves did take the initiative to escape, but reaching Washington, D.C., or the Ohio River was as impractical as ever. It was the presence of Union lines in Virginia—of Lincoln’s armies—that made successful escape more probable. After January 1, 1863, Lincoln’s Emancipation Proclamation inspired a dramatic increase in the number of escape attempts.
The Emancipation Proclamation
Lack of military successes, growing pressure from radical elements of his party, and fears that France or Great Britain might recognize the Confederacy plagued Abraham Lincoln during the summer of 1862. On September 22, he issued the preliminary Emancipation Proclamation declaring all slaves in areas not returned to federal control by January 1, 1863, "then, thenceforward, and forever free. "The proclamation exempted the loyal slave states, areas then occupied by Union forces, and the forty-eight counties of Virginia in the process of forming West Virginia. The transformation of war aims to include ending slavery elicited contempt among Confederates as well as some resistance within the Union army. The proclamation turned foreign opinion against the Confederacy and encouraged more slaves to escape to Union lines and enlist in the Union army.
Lincoln worried that freeing the slaves might aggravate northerners who had tired of the human and material costs of the war; he hoped it would inspire many of them. Given a noble cause, they might regain a resolve that would match that of their enemy. Many in fact applauded him. This laudatory commentary was drawn by a Pittsburgh artist.
As Lincoln writes, his hand is placed on a Bible that rests on a copy of the U.S. Constitution—the sources of his inspiration.
The scales of justice hang badly out of balance. Also on the wall hangs a key—perhaps to open locks and free the slaves. A copy of the presidential oath reminds Lincoln of his pledge to preserve, protect, and defend the Constitution.
A bust of Lincoln’s ineffective predecessor, James Buchanan, who allowed the southern states to secede, hangs by its neck.
A bust of Andrew Jackson—a strong unionist—holds down a paper with his words: “The Union must and shall be preserved.”
A map of the rebellious states is held in place by Lincoln’s heavy railsplitter’s maul—to suggest that Lincoln will hold the southern states in the Union.
A map of Europe, with the sword of isolationist president George Washington hanging over it, reminds viewers that foreign intervention is never wanted and that the nation is vulnerable when divided.
A Southern View
Southern and border state unionists, loyal slaveholders, and Democrats denounced the Emancipation Proclamation as "revolutionizing the war." This virulent commentary was drawn by Baltimore artist and Confederate sympathizer Adalbert Volck, whose images were not published until after the war.
A portrait of John Brown with a halo, labeled St. Ossawatomie, refers to Osawatomie, Kansas, where Brown helped prevent the territory from becoming a slave state. Like Brown, Lincoln opposed expansion of slavery into the territories.
An image on the wall depicts the massacre of whites by rebelling slaves on the island of Sainte Domingue (Haiti) in the Caribbean. It suggests that Lincoln would tolerate a similar event in the South.
The devil holds Lincoln’s inkwell for writing the Emancipation Proclamation.
Lincoln tramples the Constitution underfoot.
A liquor container is meant to suggest that Lincoln drinks excessively.
Lincoln’s opponents sometimes compared him to a baboon. Here a baboon holds what is either the shield of the United States or a hooded statue of Justice.
A War to End Slavery
Lincoln’s Emancipation Proclamation of 1863 freed enslaved people in areas in rebellion against the United States. He had reinvented his "war to save the Union" as "a war to end slavery." Following that theme, this painting was sold in Philadelphia in 1864 to raise money for wounded troops. Their costly sacrifice could be justified by the nobility of a cause to end such atrocities as slave hunts.
Some fugitive slaves hid in Virginia’s famed Dismal Swamp during the Civil War. For decades they had hidden there. In 1855, Henry Wadsworth Longfellow wrote "The Slave in the Dismal Swamp," and in 1856, when Harriet Beecher Stowe produced a sequel to Uncle Tom’s Cabin, she called it Dred: A Tale of the Dismal Swamp.