immediations: Volume 1, no. 2 (2005)
In this issue:
The Power of Beautiful Nudity in Donatellos Bronze David
The Iconographic Programme of the Barbarossa Candelabrum in the Palatine Chapel at Aachen: A Re-Interpretation
Dirk Bout’s Last Supper Altarpiece and the sacrament van mirakel at Louvain
Birds of a Feather? Gauguins Ambivalent Relationship with Literary Symbolism
Too Beautiful for a Man: Androgyny in Gustave Moreaus Mythological Subjects
A Queer Turn?
Proto-Pop and the Shadow of Abstract Expressionism
immediations, the first postgraduate research journal to come out of The Courtauld Institute of Art since its inception in 1932, publishes innovative research across the entire span of art history: from classical antiquity to the present day. Reflecting the strong research record of the Institute, immediationsapproaches the history of art from a wide range of perspectives and expertise, accommodating close reading of individual works of art and architecture, as well as broad theoretical issues.