A bold new metaphysics that explores how all things—from atoms to green chiles, cotton to computers—interact with, perceive, and experience one another.
In Alien Phenomenology, or What It’s Like to Be a Thing, Ian Bogost develops an object-oriented ontology that puts things at the center of being; a philosophy in which nothing exists any more or less than anything else; in which humans are elements, but not the sole or even primary elements, of philosophical interest. And unlike experimental phenomenology or the philosophy of technology, Bogost’s alien phenomenology takes for granted that all beings interact with, perceive, and experience one another. This experience, however, withdraws from human comprehension and only becomes accessible through a speculative philosophy based on metaphor.Humanity has sat at the center of philosophical thinking for too long. The recent advent of environmental philosophy and posthuman studies has widened our scope of inquiry to include ecosystems, animals, and artificial intelligence. Yet the vast majority of the stuff in our universe, and even in our lives, remains beyond serious philosophical concern.
Providing a new approach for understanding the experience of things as things. Bogost also calls on philosophers to rethink their craft. Drawing on his own experiences as a videogame designer, Bogost encourages professional thinkers to become makers as well, engineers who construct things as much as they think and write about them.
- Alien Phenomenology
“This book needs to be read by many different audiences since it is not only fascinating but also of considerable significance. As the task of thinking through things as actors in their own right according to Ian Bogost’s maxim ‘all things exist, yet they do not exist equally’ becomes a real intellectual project so the implications of this stance start to multiply. In turn, they begin to produce the outlines of a landscape in which things aren’t just are. Rather, they form an active cartography which is always and everywhere—an alien ontography.”
—Nigel Thrift, Vice Chancellor, University of Warwick
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- Review by Darius Kazemi
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- Review by Matthew Mullins in SubStance 44:3
- Review by Nathaniel A. Rivers in Criticism 57:2
- As inspiration for Charles Long’s sculpture,