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Methodologies in Dialogue
This volume introduces and critiques the various methodologies employed in current research on domestic violence. By discussing different methodologies side by side as they are applied to the same aspect of domestic violence, and by examining diverse populations (including international samples and sexual minorities), the editors provide insight into the political, sociological, and psychological tensions that influence our understanding of domestic violence. In an integrative pedagogical style, they demonstrate how methods, results, and interpretative frames inform current debates in this field, and how such debates further affect researchers' agendas and preferences. Finally, building on these insights, the book provides readers with a broad and balanced approach to selecting the most appropriate methodology for their inquiries, given the wide range of advantages and shortcomings.
Developed for classroom use at both introductory and more advanced levels, each chapter is preceded by learning objectives and followed by critical-thinking questions. Each topic concludes with a commentary by the editors that evaluates methodologies by establishing dialogues between them.
Men's Rights Groups, Battered Women, and Antifeminist Backlash
This book investigates efforts by fathers' rights groups to undermine battered women's shelters and services, in the context of the backlash against feminism. Dragiewicz examines the lawsuit Booth v. Hvass, in which fathers' rights groups attempted to use an Equal Protection claim to argue that funding emergency services that target battered women is discriminatory against men. As Dragiewicz shows, this case (which was eventually dismissed) is relevant to widespread efforts to promote a degendered understanding of violence against women in order to eradicate policies and programs that were designed to ameliorate harm to battered women.
Jazz and European Sources, Dynamics, and Contexts
The critical role of Europe in the music, personalities, and analysis of jazz It is often said that jazz is America’s great gift to the world, but while true, this belies the surprising, often crucial role that Europe has played in the development and popularity of jazz throughout the world. Based on a series of symposia attracting leading scholars, critics, and musicians from throughout Europe and the United States, Eurojazzland first addresses the impact of European musical traditions and instruments on the formation and development of American jazz. Part two details the vital experiences of American musicians on European soil, from black minstrels to such jazz greats as Benny Carter and Duke Ellington, and deals with European jazzmen and their developments of American jazz styles. The final part chronicles the importance of European critics and musicologists in jazz criticism and offers essays on European contributions to jazz musicianship and production. Eurojazzland proves that jazz is simply too rich and varied for one country to claim, define, or contain. This groundbreaking collection will appeal to jazz aficionados, scholars, musicologists, and musicians.
Contemporary Religious Discourse on the Death Penalty
With passion and precision, Exile and Embrace examines the key elements of the religious debates over capital punishment and shows how they reflect the values and self-understandings of contemporary Americans. Santoro demonstrates that capital punishment has relatively little to do with the perpetrators and much more to do with those who would impose the punishment. Because of this, he convincingly argues, we should focus our attention not on the perpetrators and victims, as is typically the case in debates pro and con about the death penalty, but on ourselves and on the mechanisms that we use to impose or oppose the death penalty.
An important book that will appeal to those involved in the death penalty debate and to general religious studies and American studies scholars, as well.
The Music of John Luther Adams
The first critical anthology of an important and singular contemporary composer The artistic heir of sonic artists such as John Cage and James Tenney, John Luther Adams is one of the most significant and highly regarded contemporary American composers. The Farthest Place is the first critical look at the work of the composer whom the New Yorker critic Alex Ross has called “one of the most original musical thinkers of the new century.” While often identified with the Alaska that so inspires him, Adams is anything but a regionalist. Though inspired by the wild and open nature that surrounds him, “Adams does not represent nature through music. He creates tonal territories that resonate with nature—immersive listening experiences that evoke limitless distance, suspended time, deep longing and even transcendence.” In addition to the New Yorker piece by Alex Ross, and original essays by Kyle Gann and Wilco’s own Glenn Kotche, The Farthest Place includes essays by scholars, critics, composers, and performers, merging theoretical and historical observations, musical and environmental questions with analytical discourse and personal commentaries on Adams’s music and thought.
Women, Drugs, and Incarceration
Tammara (Tammy) Johnson is an African-American woman in her fifties, an ex-addict with a 19-year heroin habit and a felony record, who works as the job development trainer for an in-patient drug treatment program in south suburban Chicago. Raised in a middle-class family, Tammy left home early because she could not live up to parental expectations. She turned to drugs and crime and was eventually incarcerated for selling drugs.
This book, the third in a trilogy about Chicago women by noted author Jody Raphael, is the story of Tammy's metamorphosis. Raphael's narrative, based on extensive interviews with Tammy and family members, shows the detrimental effects of incarceration on an already abused woman and illuminates Tammy's efforts to release herself from the literal and figurative prisons of abuse, addiction, crime, fear, and hopelessness.
Raphael uses the transit of Tammy's life--from childhood trauma to adult rehabilitation--to investigate the linkages between childhood sexual assault and domestic violence with women's drug addiction and then with crime. She uses Tammy's own words to demonstrate how childhood sexual assault and violence can make women poor and how dysfunctional coping strategies keep them poor. Tammy's story is a reminder that violence against women and girls economically impoverishes them by trapping them in addictions leading to crime and other self-destructive activities.
Reassessing Evidence-Based Practice
A critical assessment of the research related to batterer programs with recommendations for heightened engagement of men, ongoing risk management, and better coordination of courts and services Batterer programs are at a critical juncture, with a handful of experimental program evaluations showing little or no effect from the prevailing program approach. This finding has prompted calls to overhaul or replace such programs. Edward W. Gondolf examines batterer research in light of the push for “evidence-based practice” and advocates a progressive evolution of batterer intervention as it currently stands. Cautioning against the call for programs based on a “new psychology,” he argues that current cognitive-behavioral approaches are appropriate for most cases, with the addition of ongoing risk management for severely violent men. Overall, he promotes a broader picture of batterer intervention and advocates better implementation of the basic principles established in the criminal justice field.
Exploring Gender in Hate Crime Law
Hate crime laws, on both the federal and state levels, increasingly include gender, yet the category continues to be controversial and rarely implemented. Law enforcement officials themselves view the gender category differently from other forms of bias crimes, such as those based on race, ethnicity, religion, or sexual orientation. Why are these types of bias crimes reported more extensively than those gender-biased crimes?
Jessica P. Hodge uses extensive empirical research, including newspaper accounts, legislative histories, and interviews with criminal justice professionals and advocacy groups to investigate the creation and implementation of the gender category in New Jersey. She finds several reasons why the gender category is (or is not) included and/or implemented in particular cases. Extrapolating her findings beyond the Garden State, Hodge illuminates the challenges of developing definitive and effective gender-inclusive bias crime statutes.
The Life and Music of the Pride of New England
In many ways, this is the story of the birth of the American style in classical music. George Whitefield Chadwick (1854-1931) was one of the most significant and influential American composers at the turn of the twentieth century and a leading light of the Boston cultural scene. Bill F. Faucett offers a detailed exploration of Chadwick's life and art utilizing archival material only recently made available. These crucial primary sources, including letters, diaries, and memoirs, enable a deeper and more nuanced understanding of Chadwick's music and aesthetic perspective, and provide a clearer lens through which to view his life, career, and times. The book traces Chadwick's story from his earliest musical education to his surging career in Boston's nascent musical culture of the 1880s, to his fruitful middle years, and finally to his later life and towering legacy. In addition to bringing newfound appreciation of Chadwick's life, Faucett's book offers penetrating examinations of his major compositions and a vivid re-creation of Boston's rich and influential musical and cultural scene.
This book will appeal to a broad audience of music lovers, scholars, and anyone interested in nineteenth-century American music and the Boston cultural scene.
From the Late Eighteenth to the Early Twentieth Centuries
Translated from the Polish, Anna G. Piotrowska's Gypsy Music in European Culture details the profound impact that Gypsy music has had on European culture from a broadly historical perspective. The author begins by identifying two models of discourse on Gypsy music: those of assimilation, as in the national music of Hungary and Spain, and nonassimilating types, which often fall into racial stereotypes and associations with the exotic. Using these broad typologies as a jumping-off point, she then details the stimulating influence that Gypsy music had on a variety of European musical forms, including opera, vaudeville, ballet, and vocal and instrumental compositions. The author analyzes the use of Gypsy themes and idioms in the music of recognized giants such as Bizet, Strauss, and Paderewski, detailing the composers' use of scale, form, motivic presentations, and rhythmic tendencies, and also discusses the impact of Gypsy music on emerging national musical forms.
This is the first comprehensive treatment of Gypsy musical forms and their impact on European musical taste and styles from the eighteenth to the twentieth centuries and will be welcomed by scholars and students in ethnomusicology, anthropology, cultural studies, and the history of music.