Thierry Dreyfus doesn’t hang his art on the gallery wall, but instead splits it. His Rupture installations use the white box gallery space as a starting point. The pristine walls seem to have cracked and slightly seperate as if it were a tectonic fault line. Inside is the craggy masses of wall bathed by a warm golden glow or a cold silver light. The fissure encourages the imagination to speculate on what lies beyond the walls. It is interesting to notice how the color of the light colors the imagination in connection with the ruptures. While the golden crack nearly conveys a fairy-tale like curiosity, the silver rupture has a menacing sort of undertone.