Ronald Sukenick turns hypercapitalism inside out, and finds no place to hide.
Rone Shavers argues that making readers aware of subjugation - the strategy of Harold Jaffe’s False Positive - exposes little and hardly changes our relation to power.
In the triad of Verso pamphlets on 9/11, Nick Spencer sees a convergence of postmodern critique (against the capitalist culture of postmodernity).
Human waste takes center stage in Dominique Laporte’s unusual microhistory, a book as valuable for the anecdotes as for its argument.
With his software groovebox, Trace Reddell applies the tools and strategies of the DJ to the performance of literary interpretation and critical speculation.