Merry (almost) New Year! Today I'm going to talk about scenes and how to make sure each one pulls its weight in your story. First, though, I would like to solicit ideas from you, the wonderful folks who read my blog.
What sort of topics interest you?
3) How to self publish
4) News about the book industry and where things are headed
5) The structure of stories
6) What editors/publisher are looking for and how to help your story get accepted
7) Time management: setting goals, scheduling to your time, etc.
8) Platform building: Do writers need to blog? Social media: Do we need it and, if so, how much?
9) How to grow your twitter following
10) Indie publishing: How to design a great cover
11) Programs and apps that help writers
12) [Insert your topic here]
What kind of articles about writing would you most like to read in 2013? Do you have a specific question you'd like answered? You can leave a comment on this post, or contact me directly through my contact page, here. I'm also on Twitter and Google+. I'd love to hear from you! :-)
Scenes: How To Write A Riveting Scene
Now that I've made my impassioned appeal for your feedback (grin) let's move on to something writing related: scenes and how to write a scene your readers won't be able to put down.
I'm working my way through the second draft of my NaNoWriMo manuscript and I'm thinking about things like:
- What should each scene accomplish?
- What are the essential elements any scene has to have?
Fortunately for the writing world we have Larry Brooks and his marvelous site, StoryFix.com. Larry writes:
Have each scene CHANGE the story and the reader's experience of it, even just a little.That's from the article, Questions You Should Ask Yourself Before You Write a Scene. Any Scene.
In other words: What do your characters DO in your story and what DRIVES them to do it?
What are their goals? Why do they want those goals? What are the stakes? What happens if they don't accomplish their goal? What happens if they do? Cash this out in concrete terms.
On Christmas day I watched all three original Star Wars movies, so I'll use Luke Skywalker as my example. If Luke failed to destroy the Death Star in A New Hope then the Empire would have crushed the resistance movement and taken control of the galaxy. If he does, then the Rebel alliance has a chance.
But that example didn't have to do with scene goals, it had to do with story goals. Remember the scene where we meet Luke and his uncle for the first time? What is Luke's goal? To help his uncle find two droids to help out with farm duties. Luke is hoping that if the droids work out well that he can leave the farm and go to school. C-3PO, on the other hand, simply wants to escape his captors and not be separated from R2-D2 while R2-D2 wants to continue the quest Princess Leia gave him.
My point is that all the principle characters in the scene want something. Something tangible. Something that is easy to state in a few words.
The Kinds Of Things Characters Want
K.M. Weiland from WORDplay talks about the kind of things your character might want in a scene:
1. Something concrete (an object, a person, etc.).Those 5 points are from Structuring Your Story's Scenes, Pt. 3: Options for Goals in a Scene. It's a terrific article. If you haven't already, I recommend subscribing to her blog feed, she writes many articles about writing and every one I've read has helped me.
2. Something incorporeal (admiration, information, etc.)
3. Escape from something physical (imprisonment, pain, etc.).
4. Escape from something mental (worry, suspicion, fear, etc.).
5. Escape from something emotional (grief, depression, etc.).
Evaluate Your Scene Goals
Another thing Weiland mentions is testing your goals. She writes:
1. Does the goal make sense within the overall plot?I'm going to try and keep these points in mind as I continue editing my manuscript today.
2. Is the goal inherent to the overall plot?
3. Will the goal’s complication/resolution lead to a new goal/conflict/disaster?
4. If the goal is mental or emotional (e.g., be happy today), does it have a physical manifestation (e.g, smile at everyone)? (This one isn’t always necessary, but allowing characters to outwardly show their goals offers a stronger presentation than mere telling, via internal narrative.)
5. Does the success or failure of the goal directly affect the scene narrator? (If not, his POV probably isn’t the right choice.)
Talk to you again tomorrow!
Please do think about the questions I asked, above:
What sort of articles about writing would you most like to read in 2013? Or do you have a specific question you'd like answered?
I'm going to leave you with this quotation from Stephen King. It doesn't have any direct bearing on what I've been talking about, but I thought it was great advice and wanted to share:
The real importance of reading is that it creates an ease and intimacy with the process of writing . . . . It also offers you a constantly growing knowledge of what has been done and what hasn't, what is trite and what is fresh, what works and what just lies there dying (or dead) on the page. The more you read, the less apt you are to make a fool of yourself with your pen or word processor. (The Real Importance of Reading, AdviceToWriters.com)Talk to you again in the New Year! (wave)
Other articles you might like:- How To Sell Books Without Using Amazon KDP Select
- Edward Robinson And How To Sell Books Using Amazon KDP Select
- The Magic Of Stephen King: How To Write Compelling Characters & Great Openings
Photo credit: "PopStar" by Wolfgang Staudt under Creative Commons Attribution 2.0.