focus on the crystal and, you will feel a small but distinct vibration within it.
The crystal is now charged and tuned with your vibration.
Each living form has its own distinct vibration. It is our "signature" in
that we each broadcast a distinct vibration. It is the same as we have in our handwriting
and our fingerprint. This vibration is transferred to the crystal by the method described.
It is through this signature or vibration that you can transfer or receive a charge to or
from another person or object.
Hold the crystal in your hand with the thumb on one face (the flat broad face) and the
index finger on the longer shaped end of the crystal. Of the crystals two ends, one
is less acute than the other is. Put the less acutely angled end in the palm of your hand
and pace your forefinger on the more sharply terminated end.
We have two sensors that we use when we work with the crystals vibration. One is
the forefinger and the other is the thumb. The thumb acts a tuning coil and with the thumb
you can vary the rate of vibration or frequency of oscillation released through the
To test out the charge transfer capacity of the crystal, hold the crystal in your hand,
draw in your breath filling the chest fully, hold your breath and experience your body
oscillating spontaneously with the crystal. The spontaneous oscillation is an excellent
indicator that the crystal, the vibration and the overall balance are in effect. As you
relax, you will find that your body goes into a periodic oscillation as well.
Point the tip of the crystal at your opposite hand about 6 to 8 inches away and slowly
move the crystal up and down. As you do this, go through an arc starting with a zero
position, visualizing the face of the clock as follows: one oclock, two oclock
(beginning oscillation), three oclock, four oclock, and so on. As you come to
a discreet position you will suddenly feel in the opposite hand a tingling sensation.
Furthermore, as you move the crystal back and forth, rather than up and down, this
tingling sensation will carry with it the feeling of wind flowing back and forth.
To further test this, hold the crystal in your hand and take the sensor hand in
opposition. Have another person take their hand and move it up and down between your hand
and the crystal. You will feel an inductive kick in your receiving hand. This is because
as the individual makes and breaks the field, a charge will be transferred from the field
to that person and to your other hand. It is very much like you are dealing with a motor.
There are various motions one can employ:
A vertical up and down motion of about 2 1/2 inches in dimension which goes around in a
slight vertical ellipse. Use this type of oscillation, either clockwise or
counter-clockwise. When you enter into the energy body of an individual, enter
counter-clockwise and then rotate in a clockwise direction until you come into resonance
or in empathy with the field that is present there and employ this movement.
In the second motion you direct the crystal in circular motion (either clockwise or
counter-clockwise) visualizing the energy coming out as a cone and flowing to a minute
point. This is used to inject a luminous field into the area of treatment. As you move the
crystal in a clockwise direction, visualize the energy coming to a white luminous cone in
the tip of the crystal. If the direction is reversed, visualize the tip of the crystal
turning black, as there is a reversal of charge.
When you work in a circular direction, you visualize light. With the vertical up and
down direction there is no internal sensation of light, but purely vibration. You can work
with two distinct patterns: the vertical up and down motion equivalent to sound and the
circular motion equivalent to light. Both of these are capable of being generated and
emitted by the crystal.
The primary act of healing is to assist the individual in bringing the body into
balance so that the energetic fields, which surround the body, flow in a natural,
meaningful way. We exist both in our bodies as well as out of body. The programming of the
energy fields that exist outside the body is that of energetic patterns which become fixed
in space and oscillate in much the same way that crystalline unit cells will oscillate in
a natural crystal. Very weak but precise charges can critically affect these patterns that
we have around the body.
An ancient method of therapy for working with these forms of energy is acupuncture or
acupressure. The Chinese have plotted these into what are called meridians. In these
meridians are various points of differential resistance at the tissue area. These
differential resistance areas are the acupuncture points. You can work on these points
with the crystal in much the same manner as with needles although the crystal need only
penetrate the energy body and not the physical body.
THE CRYSTAL AND BREATH
One important aspect of working with a crystal is the breath. Breath and life are
synonymous. When you breathe deeply you invigorate the body with a vital charge. As you
draw the breath in you draw in oxygen necessary for the energy of life in the cells
themselves. In that breath you are also drawing in a fluid - a particulate unit of
life-energy, which is, called prana. Prana exists everywhere and is utilized by the
thinking mind to build the patterns of energy we call thought. As a man thinks, so he is,
and energy follows thought.
There are four stages to the act of breathing:
- the incoming breath,
- the indwelling breath,
- the outgoing breath,
- breath held out.
If you listen carefully when you breathe you will note a distinct
difference in tonality at each stage of breath. The four-stage process of
breath is the primary heating cycle that keeps the body temperature
constant and comes from the oxygenation of the blood. When the lungs are
in vital active functioning condition, devoid of interference by smoking
or pollutants, there is a rapid and precise exchange of the oxygen in the
atmosphere into the bloodstream. Vitality globules or pranic energy is
also transferred with the oxygen.
As you draw the breath in, you build the patterns of thought,
intention, and what you wish to do, be, or perform. The act of programming
the crystal or your own body occurs with the incoming breath, the
inhalation. It is on the inhalation that the program is written. As you
hold the breath there is a transfer of not only the oxygen, but also the
intention or thought that you draw in with the breath.
Rapid, shallow breathing will strip you of vitality and make you
subject to all of the vicissitudes of negative thinking which surround you
at all times. To be vital, functioning and strong in working with the
crystal, learn deep precise, sonorous breathing. Above all, do not be
afraid to dwell in your breath and let the intentions permeate the body
and complete their process.
When the process is completed, the waste products of the metabolism of
the body, including carbon dioxide, are released with the outgoing breath.
With that CO2 come the negative patterns that have been stored.
For every positive thought, for every affirmative action there is also the
resistance that goes with it. As you release the breath in a kind and
gentle way you bring the polarities together to form a balance, the whole.
As you rest at the bottom end of the outgoing breath, you can prepare
for the next stage of breathing. This is the primary cycle. With this
cycle there comes also a series of vibrations. There are two forms of
breathing: in through the nostrils and out through the nostrils. You will
notice in breathing out through the nostrils that there is a deep sonorous
vibrating tone to it. Breathing through the mouth, there is crispness and
sharpness to the tone. The tone is much sharper. These are the two limits
of the tonal range that we compose in the symphony of living...our
orchestra that vibrates within our body.