Equalisation for Archival Transfer: In the Analogue or the Digital Domain?
Equalisation for Archival Transfer: In the Analogue or the Digital Domain? S.W. Davies. Abstract. Most analogue recordings have deliberate departures from a level frequency response and these were made with the assumption that they would be equalised on playback, either through published data specifying the appropriate curve or throyugh the provision of specialised hardware. This paper examines the possible choices and their implications vis-a-vis performing these equalisations prior to or post the analogue / digital conversion. We consider two main categories: 1) Stationary curves such as RIAA for disc, IEC and NAB for tape and 2) Non stationary curves such as noise reduction systems by Dolby, EMT, dbx. In addition to the purely technical trade-offs consideration is also given to the demands on the knowledge of the transfer engineer and the ability of the chosen method(s) to compensate either instantaneously or subsequently for erroneous decisions made at the time of transfer.
Click to purchase paper or login as an AES member. If your company or school subscribes to the E-Library then switch to the institutional version. If you are not an AES member and would like to subscribe to the E-Library then Join the AES!
This paper costs $20 for non-members, $5 for AES members and is free for E-Library subscribers.