That depends... do you want a quality production or something that makes money? I actually liked that Indiana Jones film, for the record, but when you do a sequel, you have to strike while the iron is hot at the risk of trying too hard to recapture something that was organic. But other than that, I'm not sure how much of a monetary difference reconstructing live puppets vs stop motion puppets is. That could be a factor. Plus it doesn't seem Henson would have much more involvement than a producer credit. Same reason why we have Dinosaur Train. A Henson freelancer came up with the idea, they hired an overseas animation studio, and Canadian voice acting vets to play the characters... in essence, Henson doesn't quite have that much to do with the show itself. So maybe the fact this is basically outsourced to Del Toro and presumably his production team is why this one's happening, vs one they have more control over.