( Originally Published Early 1900's )
But while the Chinese mind thus made for itself an instrument which is probably too elaborate in structure, too laborious in use, and too inflexible in its form to meet the modern need for simple, swift, exact and lucid communications, the growing civilizations of the west were working out the problem of a written record upon rather different and, on the whole, more advantageous lines. They did not seek to improve their script to make it swift and easy, but circumstances conspired to make it so. The Sumerian picture writing, which had to be done upon clay and with little styles, which make curved marks with difficulty and inaccurately, rapidly degenerated by a conventionalized dabbing down of wedge-shaped marks (cuneiform = wedge-shaped) into almost unrecognizable hints of the shapes intended, It helped the Sumerians greatly to learn to write, that they had to draw so badly, They got very soon to the Chinese pictographs, ideographs, and phonograms, and beyond them.
Most people know a sort of puzzle called a rebus. It is way of representing words by pictures, not of the things the words represent, but by the pictures of other things having a similar sound. For example, two gates and a head is a re-bus for Gateshead; a little streamlet (beck), a crowned monarch, and a ham, Beckingham. The Sumerian Ianguage was a language well adapted to this sort of representation. It was apparently a language of often quite vast polysyllables, made up of very distinct inalternative syllables; and many of the syllables taken separately were the names of concrete things. So that this cuneiform writing developed very readily into a syllabic way of writing, in which each sign conveys a syllable just as each act in a charade conveys a syllable. When presently the Semites conquered Sumeria, they adapted the syllabic system to their own speech, and so this writing became entirely a sign-for-a-sound writing. It was so used by the Assyrians and by the Chaldeans. But it. was not a letter-writing, it was a syllable-writing. This cunei-form script prevailed for long ages over Assyria, Babylonia, and the Near East generally; there are vestiges of it in some of the letters of our alphabet today.