was hit hard by the terrible performance of their debut, so they rented a communal house and concentrated on becoming a real, organic band. They also recorded a second album swiftly, releasing Despite It All
by the end of 1970. As soon as the folksy, fiddle-driven "Country Girl" amiably ambles out of the gates, the difference between the two records is apparent. They tried this kind of rootsy country-rock before, but it sounded awkward. Here, it rings true, not just because the songwriting is stronger, but because the band knows what they're doing, adding real grit and passion to the performances. Despite It All
benefits from this looser playing, and for a while, it sounds like the group accomplished everything it wanted to do, since the first three songs are all early Nick Lowe
masterpieces - "Country Girl," the fine ballad "The Slow One" and the flat-out terrific "Funk Angel," which is the first real flowering of his gifts as a pop tunesmith and sly humorist. After this, the record doesn't go off the rails, but it slowly loses its momentum, deteriorating to pleasant aping of CSN
plus the prog-inflected jams that were the bane of their debut. Some of this works - "Love Song" is a sweet tune, "Ebury Down" has a campfire charm - but when it ends with the drawn-out "Old Jarrow" (which does boast the timeless question "why don't you financially back her?" in its refrain) it's clear that the group is still in the process of finding of its voice. Their stumbles are brought into perspective by those three wonderful songs that begin the album, which not only make the record, but prove that the group does indeed have greatness in them.