Jazz doesn’t carry baggage. Any excess energy is used in this music; it combusts it all. Jazz goes to the external periphery; Jazz is the widest tonal circumference we can manage, and here tones are pure. As musical tones mesh into the center of this circle, they homogenize into gradation. Jazz pushes outward; it’s comprehension throws us listeners into a hang-glide, inspiring and teaching us to hear tonal potentiates in wider angles.