OPENING RECEPTION: SATURDAY, JULY 12TH, 2014 7-9pm
8pm PERFORMANCE BY SUE TOMPKINS
Kayne Griffin Corcoran is pleased to present Contort Yourself, a series of solo exhibitions
disguised as a group show curated by The Modern Institute, Glasgow which includes
recent work by Sue Tompkins, Jim Lambie, Luke Fowler, and Jonnie Wilkes. Each based in
Glasgow, Scotland, these artists share an outlook with deeply psychological
underpinnings, experimenting with the experiential and communicative forms and effects
of various mediums as diverse as painting, installation, sound, text, and film.
Sue Tompkins’ practice is lead by an enquiry into language and personal expression, using
the spoken, sung, and written word. Over several years Tompkins has incorporated text,
sound, installation, and live performance to address language in visual and spatial terms.
With text as both a focus and subject matter for her work, Tompkins experiments with the
effects of combining, accumulating, and fragmenting text. Gathering phrases and words
from everyday encounters, these works prompt us to experience the flow of language in a
state of flux. In this way her work is at once open-ended and closed; paused, altered, and
undone. Rather than acting as a background to the text, Tompkins’ use of paint is integral
to relaying or distorting the meaning of these words. Utilizing both text and paint in a free
and associative manner, occupying the lyrical spaces between words and in turn between
each painting, Tompkins lets language inhabit the gallery space. Applying paint liberally
onto each canvas, often directly using her hands to pull and push across its surface, she
responds to the spatial restrictions imposed by its frame and indeed by the space of the
gallery itself. Contort Yourself includes a series of new paintings by Tompkins that
continue these explorations. Performances by the artist will take place on July 11 at Ooga
Booga / Mission Road and during the opening reception on July 12.
Working on a scale and intensity that takes over the gallery space altogether, Jim
Lambie’s work is informed by an ongoing investigation into the psychology of space and
color. Deeply rooted in color theory, Lambie draws parallels in his works with the concept
of synesthesia (whereby the experience of one sense sparks a response in another, such
as the visualization of sound through color). Drawing from the historical industrial-era
lineage of his hometown of Glasgow, Lambie’s work also brings into account the utopian
liberation movements such as William Morris’ Arts and Crafts Movement. His site-specific
installations envelop existing architecture as a key inspiration and part of the work.
Contort Yourself includes thirteen of Lambie’s ‘ladders’ extending fifteen feet from floor
to ceiling, accentuating the height, volume, and symmetry of the space. With mirrored
inserts between rungs and coated in luminous colors these ladders are devoid of function.
Instead they reflect the light, color, and texture of their surroundings, creating a
ricocheting environment that could easily belong to another sensory dimension.
Following on from his celebrated works What You See Is Where You’re At (2001) and
Bogman Palmjaguar (2007), Luke Fowler exhibits his Turner-Prize nominated film All
Divided Selves (2011). Taking up the legacy of radical psychiatrist R.D. Laing, Fowler
weaves archival materials with his own filmic observations, married with a dynamic
soundtrack of field recording and recorded music by Éric La Casa, Jean-Luc Guionnet,
and Alasdair Roberts. A charismatic, guru-like figure who spearheaded the social and
cultural revolutions of the 1960s, Laing argued in his now classic 1967 text ‘The Politics of
Experience’ that normality entailed adjusting ourselves to the mystification of an
alienating world. The film concentrates on archival representations of Laing and his
colleagues as they struggled to acknowledge the importance of considering social
environment and disturbed institutional experience as significant factors in the aetiology
of human distress and suffering. All Divided Selves describes the vacillating responses to
these radical views, including the less forgiving responses to Laing’s later career shift
from well-recognized psychiatrist to celebrity poet.
Additionally, a new sound work by Jonnie Wilkes will be included in Contort Yourself.
While viewing the exhibition visitors are invited to play German Pizza Party, a limited
edition vinyl released this year by the Vinyl Factory and The Modern Institute, Glasgow.
Jonnie Wilkes is an artist, electronic music producer, and one part of the DJ duo Optimo.