Review Summary: If anything, Other Voices is a close reminder of how much Jim Morrison's talent was missed.
To coin a song, Jim Morrison was the very thing that lit the fire burning passionately within The Doors' most creative and invigorating works. And so at the fateful moment when he died on July 3rd, 1971, many believed that the fire would have died immediately, leaving behind the ashes of a musical legend. Prior to Morrison's death, all but two of The Doors' albums were regarded for the most part as masterpieces, and the legacy of these albums have indeed grown with time. After the death however, things inevitably changed for the worse. It wasn't entirely the fault of Manzarek, Krieger or Densmore that the band's seventh studio album, aptly entitled Other Voices
, turned out to be little more than an average release.
The obvious reason why Other Voices
is average is because there's little to no life involved in the general performance. To someone who has never heard a Doors song before, the likes of “Ships w/ sails”, “Down on the Farm” and “Wandering Musician” are fairly decent, and the blues-ridden structure of these three songs can be safely perceived as free-flowing pieces of music. Yet to the more experienced listener, who may or may not hold albums like Elektra
as a musical pinnacle of the 70s, the aforementioned songs will come across as lazy, uninspired and (dare I say it) far too safe to enjoy. It's almost as if the remaining three-piece decided to write down idea s without any second thoughts and turn nothing into something. What's really strange however, is the fact that literally half of the album had been recorded with Morrison prior to his death, and that's really why songs like “Down on the Farm” just don't sound special in any way. The way in which the band very rarely seem to step out of their comfort zone here contributes to the lack of heart and soul, an aspect which for the first six years of The Doors' existence, proved fully worthwhile.
There is another reason why Other Voices
didn't work well, and although this isn't quite as scarring as the way in which each song is as simple as can be, it's certainly more of a disadvantage than an effective twist. The vocal and instrumental performance of Manzarek and Krieger is bittersweet, simply put. There are times when both display a good vocal range (though not immediately memorable or heart-wrenching like Morrison had been), as on opener “In the Eye of the Sun” and “Tightrope Ride”, then there are times when this vocal delivery proves to be so weak that Manzarek and Krieger can barely keep up with the instrumental performance, a prime example of which being the album's most disappointing song, closer “Hang on to your Life”. Instrumentally, the album is affected in much the same way. The harmonica and keyboard work is particularly useful at certain points, as on the enigmatic outro of “Tightrope Ride” and throughout the entirety of “I'm horny, I'm stoned”, but elsewhere it just makes for a complete mess, making for a disjointed structure and consequently bringing songs like “Wandering Musician” (which wanders directionlessly for all of six pointless minutes) to an incomplete halt.
All this said, you really can't blame the remaining three-piece for having wanted to continue the well-renowned legacy of the band after Morrison's untimely death, but naturally, this was not the way to do it. Other Voices
crumbles under a style where playing safe is an absolute must. No more had experimentation or a memorable rhythm played its part, and in their places arrived bland songwriting. Therefore, unless you are looking to complete your Doors discography, the band's seventh album should be left as it is.