This is like watching someone grow up. That, or The Vaccines are older than they look. Or there is something meaningful in the album title. Whichever, there is an element of Kinks cheek, Joe Meek’s twang (the English producer’s biggest North American hit was The Tornado’s Telstar), less obviously The Shadows’ style and occasional namedropping (Frankie Avalon) of people who were famous before anyone in The Vaccines were born. They are impish and brash and their devil-may-care earnestness makes their record fun.