Keyword(s):Analysis , Structural Analysis , Mixed Work
The author analyses L’estuaire du temps by François-Bernard Mâche, a mixed work for orchestra and sampler. He contextualises his analysis through ideas expressed in the composer’s book Musique, mythe, nature. The first part develops the notion of models: the work’s fundamental model is established through the sampler’s perfomative input, the orchestra performs in correspondence with this model. The second part explains the idea of universal archetypes: the composer argues that all music is established through these archetypes, that they are present in all cultures.
Solomos, Makis (1999b). Notes sur François-Bernard Mâche et L'estuaire du temps
All references of the same author:
(English)Solomos, Makis (1999a). Schaeffer phénoménologue
Solomos, Makis (2001). The Unity of Xenakis's Instrumental and Electroacoustic Music: the Case for 'Brownian Movements'
Solomos, Makis (2004). Xenakis' Thought Through his Writings
Solomos, Makis (2005). An Introduction to Horacio Vaggione's Musical and Theoretical Thought
(Français)Solomos, Makis (1999a). Schaeffer phénoménologue